LOUISVILLE, KENTUCKY has had more than its share of out-of-nowhere bands following from the second big bang that was punk rock. The Babylon Dance Band, Circle X, Your Food, Squirrel Bait, Bastro…these are but some of the exceptional music acts originating in Louisville after 1977. Now it’s time for the great secret of the Louisville first-wave punk scene to be revealed: THE ENDTABLES. The Endtables were the crazed brainchild of guitarist ALEX DURIG, brooding chess-master of the amplified freak-out, and singer STEVE RIGOT, a flamboyant transgender giant from the shores of southern Indiana who reinvented himself as a Warhol Factory superstar. The band first took the stage in late 1978 and was finished by the summer of 1980. In the fall of 1979 they recorded six tracks at a Louisville studio, four of which came out on a 7-inch EP on their own Tuesday Records. The two remaining tracks (“White Glove Test” and “Trick or Treat”) were issued as a single on Self Destruct records in 1991. Both records are among the rarest of any American punk release—more sought after than seen, passed on disintegrating cassette tapes and shouted over upon impact. The music of The Endtables is another chapter in pure American weirdness, as jaw-locking today as the day it was recorded. The scent of modern can be detected in Steve Rigot’s remote vocalese, set against Alex Durig’s guitar outbursts amid a frenzied rhythm. The band rocks its fevered vision to a ferocious degree while Rigot grimly rhymes the truths that remained locked out of the public’s pop tastes in ’79–’80. The cover of The Endtables replicates the original Tuesday records 7-inch cover, with its early-wave punk glory intact. The vinyl version is a six-song blast, short and sweet, the complete studio recordings.